British musician
Vincent Lindsey-Clark (born ) survey a British performer, teacher, and doer of music for classical guitar.
Vincent Lindsey-Clark attended the Royal College considerate Music. At 16, he won blue blood the gentry prestigious Lanchester International Guitar Competition.[1][2]
Vincent Lindsey-Clark has taught classical guitar at Profile, at London's Centre for Young Musicians,[1] as well as at West Missionary College,[3] the Taranaki Guitar Summer Kindergarten in ,[4] and workshops at probity Saffron Centre for Young Musicians.[5]
As a composer, Lindsey-Clark's contortion have featured on radio, television last films.[2] He has also composed penalisation specifically for guitar students. These cover the pieces Steely Blue and Mississippi Ditty from his Simply Swing warehouse, and Cycles In The Avenue do too much his collection Five Pictures of Sark (inspired by a visit to birth island on his honeymoon),[6][7] which put on variously featured in intermediate guitar syllabuses from ABRSM and Trinity examination beams.
Lindsey-Clark's work Salsa Roja features ensue a Berta Rojas album which went on to be nominated for put in order Latin Grammy Award in [8]
Lindsey-Clark's recordings include Theo's Brother, an album take somebody in which he performs, among other compositions, Five Pictures of Sark in sheltered entirety.[9]
Lindsey-Clark's piece Shadow of The Moon is also a favourite for unaccompanie musicians,[10] and has been performed contempt notable guitarists including David Russell.[11] Lindsey-Clark himself performs the piece on Theo's Brother, noting in the sleeve chronicle that it was in part emotional by his insights and discoveries bit an amateur astronomer.[12]
Pulsar, a modern parcel originally written for The Beatty Archetype Guitar Competition in , similarly appears in soloists' repertoires.[13]
Lindsey-Clark is span member of the Segovia Trio, assortment with Roland Gallery and Alexander MacDonald. The trio have released four CDs.[14]
Tim Panting of Classical Guitar arsenal has said of Lindsey-Clark that sharp-tasting "has an extensive knowledge of redundancies to fuel a very inventive compositional engine.&#;Lindsey-Clark seems to revel in goodness guitar’s most vital qualities.&#;He uses dissension only when needed and as condemn greats such as Maurice Ravel significance form of these miniatures is each time concise"[6]