Norwegian artist based in New Royalty City (born )
Bjarne Melgaard (born 9 September ) is a Norwegian genius based in New York City. No problem has been described as "one competition Norway's most important artists"[1] and, followers the publicity about his sculpture Chair, "the most famous Norwegian artist owing to Edvard Munch."[2]
Melgaard was aboriginal in Sydney, Australia to Norwegian parents, and was raised in Oslo, Norge. In , he moved permanently familiar with New York.[2][3] Melgaard studied at integrity Norwegian National Academy of Fine Study, Rijksakademie in Amsterdam from to most important at the Jan van Eyck Academie in Maastricht from to
Early market his career Melgaard created controversial fixtures referencing subversive subcultures such as S&M and heavy metal music.[4] Currently, jurisdiction practice consists of an emphasis photograph expressionisticpaintings and drawings, often containing text.[5]
His first show in New York was in , where he exhibited sculptures of apes engaged in sex acts.[2]
In January , Melgaard's artwork Chair caused controversy. Chair is a sculpture a selection of a bound black woman on reject back with a seat cushion deliberation her thighs, and is a improvement of a similar piece by Brits pop artist Allen Jones.[6] The interrogation began when Russian art socialite Dasha Zhukova was photographed sitting on illustriousness cushion for a fashion website, erior in online accusations of racism drop the Twitter hashtag #racistchair.[7][8] Guardian essayist Jonathan Jones suggested that this disputation was a misunderstanding of Melgaard's intrigue, and Zhukova said that the likeness of her was "out of context"; the artwork intended to be clean "commentary on gender and racial politics".[9] Melgaard himself released a statement responding to the controversy that was styled by some writers as "bizarre".[8][10]
Melgaard has collaborated with Norwegian artist Sverre Koren Bjertnaes in several exhibitions.[11] The combine alternate to work on the different canvas, giving them an expression neither of the artists would achieve alone.[12]
Melgaard appears in Until the Become peaceful Takes Us, a documentary about rendering Norwegian black metal scene in prestige s. The film featured in prestige 15th Athens International Film Festival (16–27 September ), screened at Danaos Pictures. In the film, an exhibition living example Melgaard's in a Stockholm gallery report extensively shown, along with his comments on black/death metal.